Premium cinema zoom lens designed for digital cinema cameras optimized for optical performance and minimal optical distortion.
Technical Details
The DP series is based on a modular PL-mount system and weighs between 2.8kg (DP 16-42) and 3.2kg (DP 30-80). The lenses feature a 114mm front element and a uniform 0.8mm gear pitch for follow focus systems. The minimum focus distance is 60cm, and the image circle fully covers Super35 sensors. All DP lenses utilize an 11-blade iris for smooth bokeh and feature Angenieux's proprietary Optimus coating to reduce flares and ghosting.
History & Development
Angenieux introduced the DP series in 2008, in response to the increasing digitalization of film production and the transition from 35mm film to digital cameras like the RED ONE. The series arose from the realization that digital sensors have different optical requirements than film emulsion. In 2012, Angenieux expanded the series with the DP 30-80mm, followed by a revised version in 2015 with improved mechanics and reduced weight.
Practical Use in Film
The DP series quickly established itself in the independent film scene and among documentary filmmakers. Roger Deakins used the DP 16-42mm for scenes in "Skyfall" (2012), particularly for handheld sequences in the Istanbul chase scenes. The compact design makes the lenses ideal for Steadicam shots and gimbal systems. The continuous zoom allows for smooth focal length changes during shooting, which is appreciated for crash zooms or subtle compositional adjustments within a shot.
Comparison & Alternatives
The DP series is positioned between consumer zooms and high-end cine lenses like the Angenieux Optimo series. While Optimo lenses offer larger zoom factors (15:1 or 24:1), DP lenses are more manageable and cost-effective. Competing systems like Canon's CN-E series or Fujinon's Cabrio lenses offer similar specifications, but the typical Angenieux bokeh and French optical character differ significantly from Japanese alternatives.