Hi-Hi Stand

Technical Details

The construction is based on a triple telescopic tube system made of anodized aluminum with a base diameter of 50-60 mm. The stand weighs between 8-12 kg and features a three-leg foot system with quick-release locks and rubber feet. The top spigot corresponds to the standard 28mm spigot (Junior Pin) and is often equipped with an integrated tilt mechanism. High-quality models like the Matthews Hi-Hi Combo Stand have additional Rocky Mountain Legs for uneven terrain and a 5/8" thread for smaller lights.

History & Development

The Hi-Hi Stand was developed in the 1970s by Matthews Studio Equipment in Los Angeles to meet the growing demand for higher lighting positions during the transition to larger film formats. In 1982, Manfrotto introduced a European variant with the 087NW. The development of carbon-reinforced versions starting in 2005 reduced weight by approximately 30% while maintaining stability.

Practical Use in Film

Hi-Hi Stands enable so-called "top light" or "hair light" from steep angles without complex rigging constructions. In "Blade Runner 2049" (2017), Roger Deakins used Hi-Hi Stands for vertical LED arrays in the apartment scenes. Typical applications include backlight setups in exterior shots, where the light simulates natural sun height, as well as overhead lighting in studios without available hanging points. However, at maximum height, the stand requires at least two people for safe setup and sandbags for stabilization in wind.

Comparison & Alternatives

Compared to standard stands (max. 2.4 m), the Hi-Hi Stand offers an additional 80 cm in height, while crane stands reach even higher positions up to 6 meters but are significantly heavier and more expensive. Modern alternatives like the Kupo Hi-Hi Stand with Air-Cushioning prevent uncontrolled collapse under load. For interior shots with low ceilings from 3.5 meters, the Hi-Hi Stand is the most practical solution, while for exterior shots, scissor lifts or condor cranes are often more economical.