Small round flag on a long arm that precisely cuts light from a specific area without casting large shadows.
Technical Details
Standard lollipops feature diffusion discs with diameters of 12", 18", 24", and 30" (30-76 cm). The telescoping arm typically extends between 60-180 cm and can support weights up to 2 kg. Diffusion materials vary in transmission: 216 (1/4 diffusion, 92% transmission), 250 (1/2 diffusion, 84% transmission), up to Heavy Frost (65% transmission). High-quality models like the Matthews Lollipop use heat-resistant materials up to 150°C and feature 360° swivel joints with locking mechanisms.
History & Development
Matthews Studio Equipment developed the first commercial lollipop in 1987 in response to the demand for more mobile diffusion solutions on set. Previously, cinematographers had to set up separate stands for diffusion frames. The lollipop revolutionized the efficiency of small lighting setups, especially for documentary and interview productions. Modern variants have integrated quick-release mechanisms and interchangeable diffusion grades since the 2000s.
Practical Use in Film
Roger Deakins extensively used lollipops on "Sicario" (2015) for interior shots to soften harsh practical lights without needing to set up additional stands in confined spaces. For interviews, the lollipop is typically positioned in front of 2K or LED panels to create catchlights in the eyes without intensifying shadows. Documentary filmmakers appreciate the rapid responsiveness: the diffuser can be positioned and adjusted in 3-5 seconds.
Comparison & Alternatives
Unlike permanently installed diffusion frames or softboxes, the lollipop offers maximum mobility with a reduced diffusion area. Modern LED panels with built-in diffusion (Kino Flo Celeb, ARRI Skypanel) are increasingly replacing the combination of a hard source and a lollipop. For larger areas, 4x4 frames with silk remain superior, while lollipops remain unbeatable for pinpoint facial lighting and tight spaces.