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Nikkor 35mm f/1.4
Camera · Technique

Nikkor 35mm f/1.4

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Fast Nikon wide-angle lens with f/1.4 maximum aperture — ideal for low-light shooting and shallow depth of field at 35mm.

Technical Details

The current AF-S version weighs 600 grams with a filter diameter of 67mm and a minimum focusing distance of 30 centimeters. The optical design comprises 10 elements in 7 groups, including two aspherical elements and one ED (Extra-low Dispersion) lens to correct chromatic aberrations. The Silent Wave Motor (SWM) enables near-silent autofocus with an adjustment speed of 0.2 seconds from infinity to close focus. The Nano Crystal Coat reduces reflections by up to 99% and prevents ghosting and flare.

History & Development

Nikon introduced the first Nikkor 35mm f/1.4 for the F-mount in 1970, designed as a manual AI lens. In 1988, the AF version with autofocus motor followed, and in 2010, the revised AF-S variant with improved optics and a faster focus motor. The Z-mount version for mirrorless cameras appeared in 2019 with a reduced weight of 415 grams and optimized edge sharpness. In parallel, an F1.8 S version has existed since 2020 as a more compact alternative.

Practical Use in Film

Roger Deakins used the Nikkor 35mm f/1.4 for interior sequences in "No Country for Old Men" (2007) to capture the natural lighting of Texan motels. The combination of wide-angle and fast aperture is particularly suitable for handheld shots in confined spaces as well as for available light situations without additional lighting. At its widest aperture, the lens produces a characteristic bokeh with 9 rounded aperture blades. Focus breathing is minimal, with a 3mm focal length shift between infinity and close focus.

Comparison & Alternatives

The Sigma 35mm f/1.4 Art offers comparable optical performance at 200 Euros less, but with a higher weight of 665 grams. The Canon RF 35mm f/1.8 IS Macro offers image stabilization and macro functionality at f/1.8. The Zeiss Distagon T* 35mm f/1.4 surpasses the Nikkor in edge sharpness and contrast, but costs twice as much. For productions with mixed camera systems, manufacturer-independent cine lenses like the Zeiss CP.3 35mm T2.1 are suitable.

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