Achieved with a wide-open aperture, keeping only a narrow plane in focus while the background falls off, separating subject from environment.
Technical Details
Depth of Field Calculation:
DoF = (2 × N × C × d²) / (f² - N × C × d)
N = Aperture value (e.g., 1.4 at f/1.4)
C = Circle of Confusion diameter
- Full Frame Cinema: 0.040mm (very small = shallower DoF)
- Super 35mm: 0.029mm
- Digital Cinema: 0.025mm
d = Subject distance (focus distance)
f = Focal lengthPractical Examples (Full Frame):
85mm f/1.4 @ 3m distance:
- Depth of Field: ~18cm (±9cm around focus)
- Near Focus: 2.91m
- Far Focus: 3.09m
- Psychological Effect: Extreme isolation, only eyes in focus
50mm f/1.4 @ 2m distance:
- Depth of Field: ~7cm (±3.5cm around focus)
- Near Focus: 1.965m
- Far Focus: 2.035m
- Psychological Effect: Portrait intimacy
85mm f/2.8 @ 3m distance:
- Depth of Field: ~35cm (±17.5cm around focus)
- Near Focus: 2.825m
- Far Focus: 3.175m
- Psychological Effect: Face in focus, ears soft
35mm f/1.4 @ 1.5m distance:
- Depth of Field: ~5cm (±2.5cm around focus)
- Near Focus: 1.475m
- Far Focus: 1.525m
- Psychological Effect: Only part of the face in focus
Sensor Size Effect on Depth of Field:
Same optical settings – different sensors:
85mm f/1.4 @ 3m:
- Full Frame (36×24mm): DoF = 18cm
- Super 35 (24.89×18.66mm): DoF = 28cm (55% more!)
- Digital Cinema 4K (DCI: 21.6×12.1mm): DoF = 45cm
- Micro Four Thirds (17.3×13mm): DoF = 72cm
Bokeh Quality (more important than just DoF numbers):
Bokeh = Character of out-of-focus areas
Optical Factors:
- Aperture shape: Number of blades (7, 9, 11, 13)
- Number of elements: More lens elements = more complex bokeh
- Aberrations: Spherical aberrations create creamy bokeh
- Coatings: Multi-coated lenses = clean bokeh
Popular Lenses for Shallow-Focus Bokeh:
- Zeiss Master Prime (f/1.3): Creamy, soft bokeh
- Cooke S4i (f/2): Characteristic "Cooke Look" – warm bokeh
- Leica Noctilux (f/0.95): Extreme shallow-focus bokeh
- Zeiss Otus (f/1.4): Modern, clean bokeh
History & Development
Early Shallow Focus (1930s-1940s):
Paradoxically, conscious shallow-focus awareness arose THROUGH Gregg Toland's "Citizen Kane" (1941):
- Toland popularized deep focus
- But simultaneously, counter-movements (e.g., Hollywood portraits) showed that shallow focus creates psychological intimacy
- 1940s: Portrait photography with 90mm f/4 lenses established shallow focus as aesthetic
Classic Hollywood (1950s-1960s):
James Wong Howe (1899-1976) and Conrad Hall (1926-2003) established shallow focus as a dramatic element:
- Howe: Tight two-shot dialogue scenes with 85mm f/2.8 for psychological closeness
- Hall: "Butch Cassidy and the Sundance Kid" (1969) used shallow focus for visual storytelling
- Aesthetics: Shallow focus = modern, cinematic, artistic
1970s Art Film Movement:
European and American arthouse cinemas favored shallow focus:
- "Stalker" (Tarkovsky, 1979): Selective focus for existential meaning
- "Days of Heaven" (Terrence Malick, 1978): Shallow focus for poetic distance
Digital Revolution (2000s-2010s):
Key breakthroughs:
- Canon 5D Mark II (2008): First DSLR with full-frame sensor and video capability
- Cheaper (€2,500) than cinema cameras (€50,000+)
- Enabled shallow focus for independent filmmakers
- Example: "Revolution in the Head" (2016) filmed entirely on 5D Mark II
- Sony A7 Series (from 2013): Mirrorless full-frame
- ARRI ALEXA (2010+) with full-frame sensor: Cinema-grade shallow focus option
Modern Professional Era (2015-present):
- Shallow focus becomes standard rather than exception
- "The Revenant" (2015): DP Lubezki uses extreme shallow focus with natural light
- Virtual Production: LED walls enable shallow focus use with digital backgrounds
Practical Use in Film
Emmanuel Lubezki "The Revenant" (2015):
Masterful use of shallow focus in natural landscapes:
- Focal lengths: 14-24mm wide-angle (not classic 85mm!)
- Aperture: f/1.4-f/2.0 for shallow focus despite wide-angle
- Focus targets: Often only DiCaprio's eyes in focus, face behind soft
- Follow focus: Cmotion easyRig with wireless for forest scenes
- Psychological effect: Isolation and psychological trauma visually conveyed
- Technical: Multiple focus pullers, extensive rehearsals for precise actor positioning
Roger Deakins "Blade Runner 2049" (2017):
Unorthodox shallow-focus architecture:
- Uses 21mm wide-angle at f/1.4 instead of standard 85mm
- Creates psychological unease: Shallow focus normally for closeness/intimacy, but here for dystopian loneliness in vast halls
- Split-screen focus: Left side of frame sharp (villains), right side soft (AI control)
- Psychological effect: Technology-dominated world, human marginalization
Denis Villeneuve "Sicario" (2015):
Asymmetrical shallow focus for psychological tension:
- FBI agent (Blunt) mostly sharp (focus point)
- Villain (Del Toro) often soft/partially soft (ambiguity, threat)
- Shift: Reversed in power takeover scenes
- Follow focus: Preston WCU-4 with two focus pullers
- Psychological effect: Shallow focus sharpness = visual power mapping
Terrence Malick "The Tree of Life" (2011):
Philosophical shallow focus:
- Often only details in focus: a leaf, a water droplet, rays of light
- "Bokeh meditation": Shallow focus serves meditative cinema, not psychological drama
- DP Emmanuel Lubezki: Handheld with Zeiss Master Primes f/1.3
- Psychological effect: Visual poetry over narrative
Paul Thomas Anderson "There Will Be Blood" (2007):
Extreme shallow focus as a psychological tool:
- 95mm telephoto lens at f/1.4 for extreme isolation
- Often only Daniel Day-Lewis's eyes in focus, rest of face soft
- Set props deliberately out of focus = psychological focus on inner life
- Psychological effect: Viewer in an isolated psychological space
Lynne Ramsay "You Were Never Really Here" (2017):
Fragmented shallow focus for PTSD depiction:
- Extreme close-ups with shallow focus (f/1.4 or wider)
- Image size: Often only 10% of the frame in focus
- Jump cuts between extremely different focus points
- Psychological effect: Viewer disorientation = psychological state
Richard Linklater "Before Trilogy" (1995-2013):
Dialogue shallow focus:
- Two-shot dialogue scenes with shallow focus
- Active speaker in focus, listener soft = psychological weighting
- Subtle rack-focus transitions between speakers
- Psychological effect: Visually conveyed emotional distance
Soderbergh "Magic Mike" (2012):
Shallow focus for erotic aesthetic:
- Close-ups with f/1.4 for physical intimacy
- Split focus: e.g., hip in focus, eyes soft (sexual perspective)
- Color grading enhances shallow focus effect by concentrating color on the focused element
Comparison & Alternatives
Shallow Focus vs. Deep Focus:
- Shallow: Selective attention, psychological isolation, modern
- Deep: Democratic image, contextual, classic
- Modern cinema: Hybrid approaches with targeted shallow focus moments within deep focus setups
Manual Focus Pulling vs. Autofocus:
- Manual: Artistic control, subtle transitions possible, but technically difficult
- Autofocus (with AF-C): Faster, but often imprecise for shallow focus
- Modern trend: Hybrid (autofocus with manual correction)
Shallow Focus vs. Split Diopter:
- Shallow Focus: Natural, optically pure, but binary (near or far)
- Split Diopter: Visibly artificial, but creates two planes of focus
- Use: Split diopter when two different distances AND sharpness are needed
Variable ND Filters for Shallow Focus in Daylight:
Problem: Daylight = lots of light = high aperture needed = large depth of field (undesired)
Solution: Variable ND filters (allow f/1.4 even in daylight)
ND Strengths:
- ND 2 (1 stop): Low (only slight aperture opening)
- ND 4 (2 stops): Standard
- ND 8 (3 stops): Strong
- ND 16 (4 stops): Very strong
- VND (Variable ND): ND 2-ND 400 via dial
Cost Examples (ProGrade, Tiffen, etc.):
- Single ND Filter: $200-$800
- Full Filter Set (4-6 filters): $1,200-$3,000
- Variable ND: $400-$1,200 per filter
Post-Production Focus Shifting:
Technologies that alter depth of field after shooting:
- Lytro Light-Field Camera: Raw data stores all focus positions, selectable later
- Criticism: Camera selection limited, image quality is mediocre
- AI-based Depth Mapping: Machine learning identifies depth and simulates bokeh
- Software: DaVinci Resolve Studio, Adobe Premiere (theoretically)
- Criticism: Often visible artifacts, bokeh appears artificial
- Volume Capture: Captures 3D information of all elements (only for VFX-heavy productions)
- Cost: €50,000+ per day
- Only for high-end blockbusters
Conclusion: No post-production solution replaces true optical shallow focus