Filmlexikon.
Support
Shallow Focus
Camera · Terms

Shallow Focus

Murnau AI illustration
flow focus para roll take

Achieved with a wide-open aperture, keeping only a narrow plane in focus while the background falls off, separating subject from environment.

Technical Details

Depth of Field Calculation:

DoF = (2 × N × C × d²) / (f² - N × C × d)

N = Aperture value (e.g., 1.4 at f/1.4)
C = Circle of Confusion diameter
 - Full Frame Cinema: 0.040mm (very small = shallower DoF)
 - Super 35mm: 0.029mm
 - Digital Cinema: 0.025mm
d = Subject distance (focus distance)
f = Focal length

Practical Examples (Full Frame):

85mm f/1.4 @ 3m distance:

  • Depth of Field: ~18cm (±9cm around focus)
  • Near Focus: 2.91m
  • Far Focus: 3.09m
  • Psychological Effect: Extreme isolation, only eyes in focus

50mm f/1.4 @ 2m distance:

  • Depth of Field: ~7cm (±3.5cm around focus)
  • Near Focus: 1.965m
  • Far Focus: 2.035m
  • Psychological Effect: Portrait intimacy

85mm f/2.8 @ 3m distance:

  • Depth of Field: ~35cm (±17.5cm around focus)
  • Near Focus: 2.825m
  • Far Focus: 3.175m
  • Psychological Effect: Face in focus, ears soft

35mm f/1.4 @ 1.5m distance:

  • Depth of Field: ~5cm (±2.5cm around focus)
  • Near Focus: 1.475m
  • Far Focus: 1.525m
  • Psychological Effect: Only part of the face in focus

Sensor Size Effect on Depth of Field:

Same optical settings – different sensors:

85mm f/1.4 @ 3m:

  • Full Frame (36×24mm): DoF = 18cm
  • Super 35 (24.89×18.66mm): DoF = 28cm (55% more!)
  • Digital Cinema 4K (DCI: 21.6×12.1mm): DoF = 45cm
  • Micro Four Thirds (17.3×13mm): DoF = 72cm

Bokeh Quality (more important than just DoF numbers):

Bokeh = Character of out-of-focus areas

Optical Factors:

  • Aperture shape: Number of blades (7, 9, 11, 13)
  • Number of elements: More lens elements = more complex bokeh
  • Aberrations: Spherical aberrations create creamy bokeh
  • Coatings: Multi-coated lenses = clean bokeh

Popular Lenses for Shallow-Focus Bokeh:

  • Zeiss Master Prime (f/1.3): Creamy, soft bokeh
  • Cooke S4i (f/2): Characteristic "Cooke Look" – warm bokeh
  • Leica Noctilux (f/0.95): Extreme shallow-focus bokeh
  • Zeiss Otus (f/1.4): Modern, clean bokeh

History & Development

Early Shallow Focus (1930s-1940s):
Paradoxically, conscious shallow-focus awareness arose THROUGH Gregg Toland's "Citizen Kane" (1941):

  • Toland popularized deep focus
  • But simultaneously, counter-movements (e.g., Hollywood portraits) showed that shallow focus creates psychological intimacy
  • 1940s: Portrait photography with 90mm f/4 lenses established shallow focus as aesthetic

Classic Hollywood (1950s-1960s):
James Wong Howe (1899-1976) and Conrad Hall (1926-2003) established shallow focus as a dramatic element:

  • Howe: Tight two-shot dialogue scenes with 85mm f/2.8 for psychological closeness
  • Hall: "Butch Cassidy and the Sundance Kid" (1969) used shallow focus for visual storytelling
  • Aesthetics: Shallow focus = modern, cinematic, artistic

1970s Art Film Movement:
European and American arthouse cinemas favored shallow focus:

  • "Stalker" (Tarkovsky, 1979): Selective focus for existential meaning
  • "Days of Heaven" (Terrence Malick, 1978): Shallow focus for poetic distance

Digital Revolution (2000s-2010s):
Key breakthroughs:

  • Canon 5D Mark II (2008): First DSLR with full-frame sensor and video capability
  • Cheaper (€2,500) than cinema cameras (€50,000+)
  • Enabled shallow focus for independent filmmakers
  • Example: "Revolution in the Head" (2016) filmed entirely on 5D Mark II
  • Sony A7 Series (from 2013): Mirrorless full-frame
  • ARRI ALEXA (2010+) with full-frame sensor: Cinema-grade shallow focus option

Modern Professional Era (2015-present):

  • Shallow focus becomes standard rather than exception
  • "The Revenant" (2015): DP Lubezki uses extreme shallow focus with natural light
  • Virtual Production: LED walls enable shallow focus use with digital backgrounds

Practical Use in Film

Emmanuel Lubezki "The Revenant" (2015):
Masterful use of shallow focus in natural landscapes:

  • Focal lengths: 14-24mm wide-angle (not classic 85mm!)
  • Aperture: f/1.4-f/2.0 for shallow focus despite wide-angle
  • Focus targets: Often only DiCaprio's eyes in focus, face behind soft
  • Follow focus: Cmotion easyRig with wireless for forest scenes
  • Psychological effect: Isolation and psychological trauma visually conveyed
  • Technical: Multiple focus pullers, extensive rehearsals for precise actor positioning

Roger Deakins "Blade Runner 2049" (2017):
Unorthodox shallow-focus architecture:

  • Uses 21mm wide-angle at f/1.4 instead of standard 85mm
  • Creates psychological unease: Shallow focus normally for closeness/intimacy, but here for dystopian loneliness in vast halls
  • Split-screen focus: Left side of frame sharp (villains), right side soft (AI control)
  • Psychological effect: Technology-dominated world, human marginalization

Denis Villeneuve "Sicario" (2015):
Asymmetrical shallow focus for psychological tension:

  • FBI agent (Blunt) mostly sharp (focus point)
  • Villain (Del Toro) often soft/partially soft (ambiguity, threat)
  • Shift: Reversed in power takeover scenes
  • Follow focus: Preston WCU-4 with two focus pullers
  • Psychological effect: Shallow focus sharpness = visual power mapping

Terrence Malick "The Tree of Life" (2011):
Philosophical shallow focus:

  • Often only details in focus: a leaf, a water droplet, rays of light
  • "Bokeh meditation": Shallow focus serves meditative cinema, not psychological drama
  • DP Emmanuel Lubezki: Handheld with Zeiss Master Primes f/1.3
  • Psychological effect: Visual poetry over narrative

Paul Thomas Anderson "There Will Be Blood" (2007):
Extreme shallow focus as a psychological tool:

  • 95mm telephoto lens at f/1.4 for extreme isolation
  • Often only Daniel Day-Lewis's eyes in focus, rest of face soft
  • Set props deliberately out of focus = psychological focus on inner life
  • Psychological effect: Viewer in an isolated psychological space

Lynne Ramsay "You Were Never Really Here" (2017):
Fragmented shallow focus for PTSD depiction:

  • Extreme close-ups with shallow focus (f/1.4 or wider)
  • Image size: Often only 10% of the frame in focus
  • Jump cuts between extremely different focus points
  • Psychological effect: Viewer disorientation = psychological state

Richard Linklater "Before Trilogy" (1995-2013):
Dialogue shallow focus:

  • Two-shot dialogue scenes with shallow focus
  • Active speaker in focus, listener soft = psychological weighting
  • Subtle rack-focus transitions between speakers
  • Psychological effect: Visually conveyed emotional distance

Soderbergh "Magic Mike" (2012):
Shallow focus for erotic aesthetic:

  • Close-ups with f/1.4 for physical intimacy
  • Split focus: e.g., hip in focus, eyes soft (sexual perspective)
  • Color grading enhances shallow focus effect by concentrating color on the focused element

Comparison & Alternatives

Shallow Focus vs. Deep Focus:

  • Shallow: Selective attention, psychological isolation, modern
  • Deep: Democratic image, contextual, classic
  • Modern cinema: Hybrid approaches with targeted shallow focus moments within deep focus setups

Manual Focus Pulling vs. Autofocus:

  • Manual: Artistic control, subtle transitions possible, but technically difficult
  • Autofocus (with AF-C): Faster, but often imprecise for shallow focus
  • Modern trend: Hybrid (autofocus with manual correction)

Shallow Focus vs. Split Diopter:

  • Shallow Focus: Natural, optically pure, but binary (near or far)
  • Split Diopter: Visibly artificial, but creates two planes of focus
  • Use: Split diopter when two different distances AND sharpness are needed

Variable ND Filters for Shallow Focus in Daylight:

Problem: Daylight = lots of light = high aperture needed = large depth of field (undesired)
Solution: Variable ND filters (allow f/1.4 even in daylight)

ND Strengths:

  • ND 2 (1 stop): Low (only slight aperture opening)
  • ND 4 (2 stops): Standard
  • ND 8 (3 stops): Strong
  • ND 16 (4 stops): Very strong
  • VND (Variable ND): ND 2-ND 400 via dial

Cost Examples (ProGrade, Tiffen, etc.):

  • Single ND Filter: $200-$800
  • Full Filter Set (4-6 filters): $1,200-$3,000
  • Variable ND: $400-$1,200 per filter

Post-Production Focus Shifting:
Technologies that alter depth of field after shooting:

  • Lytro Light-Field Camera: Raw data stores all focus positions, selectable later
  • Criticism: Camera selection limited, image quality is mediocre
  • AI-based Depth Mapping: Machine learning identifies depth and simulates bokeh
  • Software: DaVinci Resolve Studio, Adobe Premiere (theoretically)
  • Criticism: Often visible artifacts, bokeh appears artificial
  • Volume Capture: Captures 3D information of all elements (only for VFX-heavy productions)
  • Cost: €50,000+ per day
  • Only for high-end blockbusters

Conclusion: No post-production solution replaces true optical shallow focus

More in the lexikon

Related terms

Report an error
From the Filmfarm ecosystem

Understand visual language, budget productions, connect crew.

The Lexikon is part of the Filmfarm ecosystem — alongside budgeting (FilmBalance), an industry magazine (FilmCircus) and crew networking (FilmCall, CrewMesh). One shared vocabulary for the whole production.

FilmFarm FilmRadarComing soonFilmPulseComing soonFilmNumbersComing soonFilmCapitalComing soonFilmLabComing soonFilmBalanceComing soonFilmCircusComing soon