Lateral grip mounted on a camera rig for improved stability and added control during handheld shooting.
Technical Details
Professional side handles are made of CNC-milled aluminum or carbon and weigh between 180-450 grams. They are attached via standardized rosette clamps with M6 screws or quick-release mechanisms with a torque of 8-12 Nm. High-quality models integrate start/stop buttons, record buttons, and REC triggers with cable lengths of 30-60 cm. Advanced variants such as the ARRI Side Handle SH-3 or RED Pro Handle offer additional 1/4"-20 and 3/8"-16 threads for accessory mounting as well as internal cable routing.
History & Development
Side handles emerged in the mid-1980s with the advent of lighter cameras like the Arriflex SR. ARRI developed the first standardized rosette connection in 1987 for the SR series. In 2007, RED revolutionized the concept with the RED One through modular handle systems with integrated controls. In 2015, Sony introduced ergonomically optimized handles with a 20° tilt for the FX series, which are now an industry standard.
Practical Use in Film
Side handles are primarily used in documentary work and run-and-gun productions. Roger Deakins used modified ARRI handles for the continuous Steadicam sequences in "1917." In TV series like "The Walking Dead," quick-release handles allow for rapid camera changes between tripod and handheld. The handle reduces wrist strain by up to 40% compared to pure top-handle operation and improves image stability through a lower center of gravity.
Comparison & Alternatives
In contrast to the top handle, the side handle offers better weight distribution for longer handheld sessions. Cage systems from SmallRig or Tilta integrate side handles into complete rig structures, while isolated handles ensure maximum mobility. Modern gimbal systems are replacing classic side handles for stabilized shots, but they remain indispensable for spontaneous camera work and extreme angles. Dual-handle setups combine side and top handles for maximum flexibility.