Camera capable of shooting three sensor formats — Super-35, VistaVision, and 65mm. Maximum flexibility for varying project demands without changing bodies.
You need a camera that allows you to switch between Super-35, VistaVision, and 65mm within a single production, without having to swap out all your equipment. This is precisely what a Tri-Format camera achieves. It features interchangeable sensors or a modular body that enables you to flexibly navigate between three sensor sizes, depending on scene requirements and budget. This not only saves you time on set but also considerable costs and logistical headaches.
In practice, this means you plan a production with varying visual demands. You shoot the established scenes in Super-35 because the lens portfolio is extensive and the equipment is cost-effective. For the visually dominant opening scenes or a large-format action sequence, you switch to VistaVision or 65mm – larger sensor, finer grain, impressive detail resolution. With a Tri-Format camera, you remain mobile. You save yourself the logistical overhead that multiple fixed camera setups would entail. Your camera crew knows one machine, not three.
The sensor format influences your entire production chain: lens selection, lighting setup (larger sensors often require more light for the same aperture), editing speed, and, not least, post-production. Super-35 is the economical workhorse – established, compatible, quick to grade. VistaVision offers you the compromise between size and practicality. 65mm is the premium format option for maximum resolution and cinematic presence, but it requires specialized lenses and lighting setups with an increased budget.
The catch: Tri-Format cameras are expensive and not available at every equipment rental house. The calibration between sensor formats must be precise, otherwise you'll notice unpleasant differences in color reproduction and dynamic range during color grading. Planning is crucial – decide early which scenes will be shot in which format. Coordinate with your DIT and your colorist so that the transitions remain seamless. Tri-Format makes you flexible, but not sloppy.