DZOFilm Vespid: Affordable full-frame cinema prime lenses with T2.1 speed and consistent color matching across the set.
Technical Details
The Vespid series currently comprises eight prime lenses: 16mm, 25mm, 35mm, 50mm, 75mm, 85mm, 100mm, and 125mm. Each lens features 16 aperture blades for smooth bokeh and a minimum focusing distance ranging from 0.3m (16mm) to 0.8m (125mm). The front thread is uniformly 82mm, while the housing diameter is a constant 95mm. The lenses weigh between 1.8kg and 2.1kg and offer PL and EF mount variants. The focus ring rotates 300° for precise manual focusing with consistent gear positioning for follow-focus systems.
History & Development
DZOFilm first introduced the Vespid series in 2020 and launched it in 2021. The Chinese company thus positioned itself as a cost-effective competitor to established manufacturers like Zeiss, Cooke, or ARRI. In 2022, DZOFilm expanded the range with the longer focal lengths of 100mm and 125mm. The development focused on modern digital sensors and was specifically optimized for 6K and 8K cameras.
Practical Use in Film
The Vespid lenses are primarily used in independent productions and streaming content where budget efficiency is required alongside professional image quality. Cinematographers appreciate the consistent color reproduction and the soft, cinematic bokeh for narrative projects. The minimal focus breathing makes the lenses particularly attractive for gimbal work. Netflix series like "The Empress" (2022) used Vespid lenses for specific sequences. The lenses are less suitable for VFX-intensive productions as they do not achieve the extreme sharpness of high-end optics.
Comparison & Alternatives
Compared to Zeiss CP.3 or Sony FX optics, the Vespids offer similar image quality at half the price but do not match their mechanical precision. In comparison to Sigma Cine lenses, they score with a more unified look and a more professional housing. Canon CN-E lenses offer better sharpness performance; the Vespids contrast with a warmer, more cinematic character. For large studio productions, ARRI Master Primes or Cooke S7/i remain the first choice, while Vespids hit the sweet spot for ambitious indie productions.